Saturday, February 20, 2010
Cloned
At the time what was interesting about Dolly wasn’t that she was the first cloned mammal; we kids had been talking about clones and cloning ourselves for years. Things like nuclear power and molecular transportation were old hat for us. Gene splicing and faster than light travel seemed tedious even. I myself had spent much of that year flying to school on the back of a resurrected pterodactyl, which wasn’t convenient but did serve as a reasonably interesting way of diluting an otherwise boring 7 a.m. car ride to school.
The reason why Dolly held our attention that day was that this was the first time we had heard adults talk about the science with as much interest as we had been doing all along. At last it seemed like the real world was beginning to catch up with our demands and expectations. Though we still had to brush our teeth the old fashioned way, and drive in cars to get from one place to the next, and eat our meals sitting down bite by bite, now, maybe, we are finally going to start getting genuine copies of ourselves, ready to do what we said when we said it.
“If I had a clone,” Brandon’s sister said, “I’d make it do everything for me I didn’t want to do.”
Brandon’s sister was older than me by a year or two, but I knew her brother and could usually count on her not sending me away or talking down to me when I stumbled into a conversation she was having. And she was always having conversations, and they were always her conversation so you had to be careful.
“You’d treat yourself like a servant?” I asked her.
As we had it worked out cloning was a way of duplicating another living thing. Maybe you would put the thing or person in one end of a machine and then a little while later, maybe minutes or maybe days, two of it came out the other side of the machine. We’d all been sent to the copy room before to make copies for our teachers and so we knew how a Xerox machine worked. Some of us had even made rudimentary attempts at the cloning process ourselves; pressing our hands and faces against the cold glass of the machine as the white heat of the light scanned and reflected against the contours of our aspects. We'd blindly stumble out of the copy room with the light of God the Creator still in our eyes and an elongated, gray skinned mutant of ourselves folded up and tucked away in the pocket of our corduroys.
“No,” she said, “I’d treat my CLONE like a servant. Or maybe a slave.”
I didn’t know what to say to this. For one, I was a white kid and she was black. Playground rules dictated that in the area of race relations and conversation discourse I was predetermined wrong and/or racist on any conversations concerning the names of skin colors and the usage of certain words, like ‘negro’ or ‘black.’ Also, Brandon’s sister was bigger than me, and kind of bully. I knew that if she was okay with bullying her clone than it’d mean much less to her to bully me. I had to be careful what I said to her.
“But if you don’t want to do something, what makes you think your clone of yourself is going to be any happier doing that same thing than you would be?” I asked Brandon’s sister.
“Listen, she’s my clone and she’ll do what I tell her.”
It was clear to me that Brandon’s sister had taken an entirely adult perspective on the situation. Or rather, that she had taken an entirely parental perspective on the situation. She was prepared to treat a clone of herself as she might treat a daughter: as her own property, endowed with thought and movement only because she had so willed it to be.
“And then, when I was done with it, when it got home from school for me or finished cleaning my room and taking out the trash,” she said, “I’d just kill it. And make another one the next day.”
“That seems wasteful,” I said. I could tell I was starting to reach that point where Brandon’s sister would no longer be able to tolerate my presence in her conversation, but I didn’t really mind, I was far more concerned with the fact that she was beginning to advocate not only the wasteful and lazy use and disposal of genetic materials (something I myself would not become comfortable with until much later in puberty) but that she was also beginning to fantasize about third-person, singularly neutral homicide. “What would you do with the bodies?”
“I’d dig a hole.” Brandon’s sister said. “Wait, no, I’d make it dig the hole and then I’d kill it.”
Years later I would remember Brandon’s sister saying that when I read Elie Wiesel. I have to consider myself lucky that what Brandon’s sister said resounded with me as an empty and hypothetical threat, entirely unlike Wiesel's own experience.
Our conversation was degrading from innocent daydreaming. As Brandon’s sister continued she stopped using the pronouns "she" and "her" to refer to her imagined clone and instead relied completely on the title “It,” which she had given her clone, her slave and her victim.
By this time other people had begun to interject there own ideas into our conversation. Max, who was a beast of a child and who's own clone I was positive would resemble a homunculus even more than he did, had his own ideas on the matter which rivaled Brandon’s sister’s in insensitivity if not entirely in cruelty.
"It would be wasteful to kill them everyday," Max said. "It would be a lot easier to just train one and pay very close attention to it. That way you could keep it for a long time and only have to kill it if you caught it stealing stuff, or touching your things or getting too smart."
"Or you could beat it like a dog," someone else suggested. "That's what we had to do with our dog. It kept yelping at my little brother so my dad threw his shoe at it. He told us if it ever did that to do the same thing."
A few older kids had more debauched notions of their clones. A boy from one of the advanced biology classes, I think his name was Eddie, suggested changing one of his clone's Y-chromosomes to an X in order to make it a girl. This had to be explained to the group. Smirks grimaces passed over everyone’s faces to think of Eddie like this.
I didn't understand it; some of the kids were okay with the idea of beating and killing clones but were repulsed by the insinuation of developing incestuous relationships with them. Eddie had only one eye; the other had been removed when he was just a baby. It seemed to me that a better use of an Eddie clone would be to supply a replacement eye for Eddie. I considered that even that type of harvesting and transplantation of a clone’s body was self-aggrandizing. This, coupled with the fact that I had already embarrassed myself and Eddie earlier that year when I’d asked him to take out his glass eye and show me the inside of his head was enough to make me keep my mouth shut.
Anyways, Eddie didn’t want a new eye. What he wanted was a girlfriend, or at least something like one. Too bad it would also be something like him. I tried not to think of Eddie in this way but I could not help to. I could not help but envision Eddie as I am sure everyone had. But, unlike everyone else, when I imagined Eddie copulating with his female self the two Eddie’s passed back and forth a pink and squishy eye while they humped themselves.
The conversation we were having was at its base a conversation of ethics. Or, and maybe more correctly, it was a conversation about a lack of ethics. Though the language we used concerned the bioethics of cloning we were each of us talking about not how we would treat our clones but how we would treat others. Many of us were so selfish and fool hearted as to misunderstand that we were talking about how we would treat ourselves. The self-destruction that our conversation extolled upon was amazing to me. Hadn’t we heard it a million times before, play nice, be kind, and treat others, as you want them to treat you? This conversation was cruel because it could be. It was unchallenged and in being so it had turned against us. This was not the curiosity of the playground that prompts you to bury trash in the sandbox and call it a time capsule or draw dirty pictures in the back of your notebooks. No, this was the idiocy that caused people to be pushed off of swing sets and left out of kickball games. This was calling each other “gay” and teasing the smelly kid.
"That is disgusting," Brandon’s sister said. She had a damning look on her face as she tried to reclaim the conversation. "You're all a bunch of perverts" she said. The bell rang and everyone sprinted away in different directions but ending up, eventually, in the same place.
I began to trudge back into the school building. I was left thinking about everything that had been said by our collection of playground philosophers. It appalled me, being the moralist of the group. Never mind how we might treat our clones, if and when we ever met them. How were we going to treat our children, our parents our friends if this was the way we would treat ourselves?
When Dolly was only six years old her body showed degenerative symptoms of aging. Her life expectancy at birth had been 12 years but gene have their own age and the mammary gland materials which were used to create Dolly were already six years old they themselves had been placed within an egg and began mitosis. Her body had some catching up to do and it did in 2003. Dolly was euthanised by the men and woman who had helped to create her. When she died she was suffering from crippling arthritis and lung disease. She was twice as old as she had lived, a concept I wish we could have known about that day on the playground.
When Dolly died when I was in high school and I had far more important things to think about then her. New sciences interested me, like the aerodynamics of a Dodge Neon, the volume of its back seat and the long overworked hypothesis I had constructed concerning the female orgasm. This is because when Dolly did die I was also a clone and had been for many years, as are each of us of our younger selves. Although in memories I still share all of the same genetic makeup as my former self, in reality I know that I am not he.
Thursday, June 25, 2009
All of My Friends are Pokemon
Sometime in my youth, after Pogs but maybe still before Yo-Mega yo-yos, during the Bennie Baby fad, Pokemon rained supreme. As a consumer product Pokemon covered all its bases, growing from a cartoon into backpacks, shirts and shoes, kids meal toys and even a few movies and many video games. The Gameboy games were so engrossing that on its initial run Nintendo was able to successfully market two different games, Pokemon Red and Pokemon Blue, much in the same way the Zelda series would do later. Arguably though the penultimate form of the Pokemon craze was the playing card game. Like Magic the Gathering before it and YuhGiOh after it the Pokemon franchise was able to do with playing cards what man had been doing with gold, metal and paper for thousands of years- they gave value (sometimes grossly exaggerated value) to something that was before valueless.
Call it childhood pragmatism but I never saw the point of the things. Probably the largest contributor to my lack of interest overall though can be contributed to the lack of interest any of my peers had to show in them. The card game required more than you to play it and that was one more person than I was able to find interested in it. As for the Gameboy games I knew a few neighborhood kids, mostly younger and better off than myself, who played them to the extent that made them brattier and more irritating than little rich kids normally are or ever need to be. Its most likely possible that I missed out on the Pokemon craze for one reason though: alternative education. That’s right, I was one of those weird kids that went to a weird alternative education school where you couldn’t wear shirts with graphics or bring candy on Halloween. And of course there was no room for something like Pokemon.
Though I didn’t participate in Pokemon at all in it heyday I do have a pretty good understanding about it now. (It’s about social Darwinism right?) Either way, what I do understand about Pokemon is the same thing I understand about friendship, and that is that as a child I had no idea what it was about, or how it was supposed to work. But I see now what’s been true all along- that all of my friends are Pokemon.
It sounds strange but when you consider the case its absolutely true. The Pokemon Trading Card Game, like elementary school, begins with a starter pack that offers a player way more cards than they know what to do with, often with doubles and pointless fillers. The more you play the better your deck gets and by trading or buying or by some other means drawing to their deck those cards that they most desired and found compatible with a playing strategy. The same with friendships- you sort through those cards that don’t know how to play with and you’re left with those that always come through and you know how to work well with.
I don’t know much about Pokemon. And I once knew just as much about friends. But know I now Matt, and he’s pretty much my Blastoise. And my friend Eli, well, Eli is Diglett. And along with a few other people (who can also easily be likened to Pokemon) these are the friends I’m going to have for the rest of my life. They are the core of my deck. But along with them is also a bunch of people who I know and appreciate knowing even if we aren’t especially good friends. I value these people because like the cards, sometimes we’re convinced to value things we probably shouldn’t just for the entertainment of a thing. Like the guy in my bio course I always talked about Lovecraft fiction with (Tangela,) or that girl who never shuts up from high school (Zubat) or the one I almost dated who was once cute and fun (like Shellder) but know is a little scary and sexy (like Cloyster,) or the blogger who sits around and writes about Michigan Football and the rise of socialism in America (Drowzee.) Trust me, I can do this for just about anyone- as long as they have a personality, though I know that that may be asking a lot from some people (Psyduck.)
All of my friends are Pokemon. And I value each of them- even if they are priceless.
Ooooh, you're my best friend
In a world we must defend
Pokemon!
Oh, and Paul, if you’re reading this I think you should know- you’ll always be my Slowpoke.

Friday, June 13, 2008
God's Country
Traffic is only a low rumble still and the loudest noise around me is the hydraulics of a truck cab and the hum of it’s refrigerated load. “Rolling Rock” it says in big beautiful letters above a panoramic blue-green rocky mountain scene I’ve never been to. I’d like to go out west, to the real west that lies past this old thought Midwest. I don’t especially like the idea of the West Coast, but I’d very much like to see the Pacific Ocean and those mountain ranges. The idea of the ocean doesn’t particularly impress me because of its size and grandeur, the great lakes ruined that for me at a young age. Never again will any body of water be anything more than a lake to me; I’ve peered out across lakes and seen nothing but more lake on the other side. And, I’ve done it from both Chicago and West Michigan looking back across at myself. I’d like to see the Pacific Ocean because of the name I imagine. I’d like to see a peaceful sea and imagine the orient on its other side. Worlds divided I guess. I’ve seen the Atlantic Ocean already and when I did I had all the salt that’s ever been a part of it stuffed right up my nose and down my throat. When I swam in it I was still so young that I had trouble opening my eyes underwater and it sure didn’t help me any. It was nice though, like going to a grandparent's house; someplace you know your family came from, seeing where your father slept and shared a closet for a room with his brother, seeing that vague place where your mother’s mother’s mother sailed over and on. In all the pictures I’ve seen of the west the mountain line in the background is what strikes me the most. Frontier land doesn’t stretch out forever in every direction; it’s cut up by ridges and pitfalls as far as I can see. Seeing pictures of those blue and white mountains is deceiving when you’re a child; there isn’t any way to tell where they end and because of that every town you see can give off the impression that it’s in a cradle of American bounty, set up and protected in a basin of God’s country’s very own best rocks. Where I grew up things looked to be in a basin themselves, surrounded on all sides by old industry. Steel mills, salt hills, burning blue-flamed oil towers; after a while it starts to look like the rest of the land, like it too was thrust up from the soil and rocks when the earth was still young and eons cooling. It’s hard to say if it’s any older than the rest of this place, especially when it was all already here by the time I showed up.
I rode my bike back home and left it in the garage on its kickstand. Looking at the red-lined clouds is like looking at the delicate red blood veins in a milky white eye. Everything just looks so clean and clear before that. The sky is infectious and all the air in my world is the same muted pale blue it’s been all morning and I start to wonder, “Is this God’s country?” Walking back inside I notice one last thing: those same road side gnats I picked off my shirt last night after running are stuck all up and down my arms now in the red blond downy hair. I pick them each out, one by one flicking them back in the direction of the road before I walk back inside and begin taking off my shoes in the front room of my parent's house. Oh happy new day.
caleb
Sunday, February 17, 2008
Halloween, Part one
We were in the hallway of our old house, at the bottom of the stairs, standing on the long rug that ran between the bathroom and the playroom. The bathroom shone a glorious white. White lighting, and yellow light bulbs and white, slick, smooth, cold porcelain tiles glared out of the bathroom and into the halls and out all the windows of the house. I doubt it was late enough at night for it to be dark out, even for a night in late October, but in my memories it was pitch black outside.
After years of being the man of steel my curl would evolve, transform me, straighten and lengthen itself, pressed down to my forehead with my brothers hair gel, a tight widows peak, an orange devilock draping down my little Halloween melon head. For many years I put on a new cape, black and red replacing gold and blue, that I tied tight around by throat, damp with sweat and rain all October. For a month I lived as a little Dracula child, hiding under beds and behind trees, falling end over end into piles of leaves, stealing away with lengths of rope to hang bodies from trees and build giant spider’s webs. Halloween would transform me too, evolve me, turn me into little beasts, raise me from the dead, turn my face whiter and my blood redder, and let me walk out at night, set lose, a full fledge vampire sucking down sugar and ready to eat the black out of the sky, to unhang the moon and drop it in my pillow case like some treat I’d claimed as mine that night.
For a long time I spent Halloween with my best friend, my brother, Jake. Jake was my best friend from one Halloween to the next, not because he was my brother, or because for years he was the only other person in life I knew besides my parents, but because he was exciting. Jake was what Halloween was supposed to be: trouble. Lots and lots of trouble. Once in a psychology class someone asked me where I learned what it meant to be a boy from and my first thought was that no one has ever taught me more about getting into trouble than my brother, the kid who taught me what it was to be a boy growing up, who through torture and demonstration showed me how to hurt people, hide things, steal junk, dig holes and run from anyone. My older brother Jake showed me not only how to be a monster on Halloween, but how to be a terror every other day of the year too.

...to be continued.
Caleb Michael, ghoul
Wednesday, January 9, 2008
License Plates
The State of Michigan is issuing new license plates to everyone for some reason (no, I don't give a fuck what their reason is), and I just got mine in the mail. It's plain... blue characters on a white background. It says Michigan and something else, I don't know... I don't care. It's stupid. Why would they give us a license plate that looks just like Ontario's? Ontarians are the only people who even visit Michigan on a regular basis! As for the other option... with the green city/tree scape and the whatever else... it's just dumb.
Anyhow, the point of this all is that I'm going to miss my old blue plate with the white letters... and I'm going to miss seeing all those blue plates on the roads. To me they were Michigan, they were my childhood... and now they're both dead just like everything else in this god damned state.
Tuesday, November 27, 2007
What I Learned Today
The show is called Yo Gabba Gabba! and if you have not seen it I recommend that you get around to it. I was just switching around Nick Jr. in the middle of the day and found it. You never know what kinds of useful things your liable to learn from a man like Biz Markie and children's television in the middle of the day
Also, as an added bonus (I mean besides the old school rap and ska theme of the show) one of the characters, Muno, looks like the end of a very friendly vibrator or of a very sick penis. But I'm not going to get into that.
"My name is Caleb, I like to dance!"
Monday, November 19, 2007
Revisited
Suddenly, I’m passed it and before anything can register I’m hearing the leaves rustling again, pages turning quickly, full of nature and instincts and carnal matters. Did I just see that?
I did. Yes. Yes! And there it is again, and there again! It’s as if some little boys (maybe two or three, let lose from somewhere inside of me) are gathered greedily around it, the magazine, and are flipping glossy pages, silk slick first and then clammy with sweat against their blood-flushed fingers. The pages seem so dry though, so worn there in the road that one more turn by those invisible spit licked fingers might tear the pages, mutilating some poor girl’s body or face and bending staples out of this book’s binding.
I double back and there she is again, and again (or is it now her sister, or her lover?) They’re young and fresh and all different shades of the same well known (or well learned) pinkish hue. But I’m more struck by their faces- each is happy. Everyone is smiling up at me with perfect pearl teeth, high polished on the pages. “What’re you so happy about?” Even their looks of longing and hard-pressed, long waiting glimpses of anticipation seem more playful than anything else. There is nothing these girls are missing. Except, maybe, their clothing. But, I don’t think they even miss those all that much.
The pages keep turning at a heartbeat’s rate and I’m standing over them. My bike is in the grass and I’m in the middle of the road staring down at my feet and her face, and ass, and more, intently and not so unlike Mosses I’m on a mountaintop with God. After all, I’m staring down with my eyes averted from all the people walking past me, from all their disgust, from the drab sky and cold wind that was before in my eyes. But is this so much better or so much worse? I was content today, void of thoughts and feelings until these girls fell underfoot and under tire and flaunted their happy, content, fresh faces in my way. How can I feel sixteen and sexy and stupid all over again? And lost like John the Baptist awaiting god in wilderness untouched, uncontrolled, and all alone before all majesty, at once? How can I feel so old and stupid and decrepit too? These girls are running past me like all girls do, but flipping one by one past me, turning back flips and bending over, wide and low and long, across beds and barn doors and stable walls. They are taunting me and are unkind, and dance past my old, cold weathered stiff bones.
By the grace of God I’ll walk by all this and won’t take off my jacket and fold it over my lap today. Not today. I’m not all that young and uncontrollable and untouched. This isn’t freshman year again, not like every other day has been. I’ll walk by all of this today. Or, maybe I’ll roll it all up tight as her and stuff them in a black back pack. Maybe I’ll save it away not for pleasure, but as a tool, a reminder, a talisman of fall and sex and being young again, or never again, or always still.
Who knows really?

Caleb, 19
Saturday, November 17, 2007
Thursday, October 18, 2007
Father and Son
It’s a dreadful day when you finally realize that your father is human, that the pillar of strength and discipline, that paragon of everything safe and good in the world is just as scared as you are, when you realize that he is just as flawed as us all.
Wednesday, August 29, 2007
The Gauntlet
People complain about video games now, but there is nothing bad that can be said about any game that you didn’t have to pound on just to get it to play. The hardware error that companies like Nintendo, Sega, and Atari built into there cartridge platforms bread a whole generation of wife beating children who, even before you could kill whores and steal cars in Liberty City, were reverting to violence to solve their problems. I pounded on Donkey Kong harder than Mario did to Princess Peach, or King Kong did to Fay Wray.
Looking back it occurs to me now that besides being harder to start these games were also harder to play than anything on the market today. The controls for some of the classic and super Nintendo games are alright, but that’s easy when all you do is run and jump. But in the original Donkey Kong even athletic great Mario jumped like a ballet dancer on acid. Once you get to Jurassic Park on the Genesis, the one place you really need to run and jump, those abilities kind of fall apart in your hands as you wake up in a shady, monster filled, government occupied Pitfall.
If you see what I’m driving at here, you’re better off than I am. These games were hard, even if you didn’t utilize the one option they designed the menu for: the difficulty setting. But difficulty? Difficulty? Is that even an option in these early games?! I understand easy, normal, and hard, but what about “playable” as an option, or how about, “application of the natural laws of physics” on/off switch? How about some “difficulty” settings that would actually allow the game to slide back and forth on the spectrum of skill level, and not luck. I don’t know how many Italians, scientists, monkeys, and marines I’ve killed hoping that they could make it across a two foot jump and not trip standing up or face plant themselves into an invisible ledge. These games had one real setting- suckyhardtryagaingoodluckbastard. But the games were fun and challenging in a way TV hadn’t experienced since the introduction of the presidential debates and then much later and more predominantly with American Idol. It wasn’t just that we were young, with undeveloped hand eye coordination, or that these games were really, really, badly programmed (which they were), that made this games so hard. They were designed intentionally to be hard, and because of that worth playing again and again.
Looking past the insane logic of the story lines, the poor programming and resulting complex paradoxical game play that introduced games like “Schrödinger's Cat’s Bowl-a-Tron”, and sadistic game developers dreams of blind, nubby fingered children, the video games of our youth were pretty damn amazing.
Now, I’m not going to lie, I once I had to have someone remind me that Sonic wasn’t Mario, and that rings weren’t coins. And, for a long time when I’d play Mario in my uncle’s basement with all the cousins crowding around I had no idea what was going on. I mean there were dinosaurs, and manila colored nipple men, and a guy that could spit fire, and an arrangement of different mushrooms. And, sometimes my brother would give me the second player remote and tell me I was playing when I wasn’t, and for a long time I couldn’t tell. But eventually I got a “big” just like Mario did, and I grew up and understood a few things about video games.
The things that video games have taught me almost seem like universal truths to me now, things I was born knowing, natural rights intuit in every child. So, here they are-
What video games have taught me:
-That no matter what modern concepts of physics tell us, there is such a thing as a double jump. That is right, one jump on top of another, a mid air miracle, pushing little men a little higher.
-If something or someone changes color, they’re probably a zombie. If they bounce up really high and then off the screen, they’re probably just dead.
-Even little mustached plumbers can find the love of a beautiful princess, even if they can’t find her.
-Health is everywhere.
-And so is lava.
Seriously though, isn’t art supposed to relate to real life? At least a little. And I’m pretty sure that a huge part of life isn’t about getting eaten by raptors and falling off cliffs. But then again, I could always be wrong about that too.

-Caleb, true ninja
Thursday, August 23, 2007
Ch-Ch-Ch-Changes: A short piece on fear
I do not know about you, but most of my greatest fears in life are those same things I was afraid of when I was just a little kid. But I’m not talking about losing a toy or a person or yourself, I’m talking about that feeling you got every Halloween that’d cause you to bring your legs up close to your body in bed just in case a madman tried to chop off your legs. Before I even knew what a madman was, what was really mad, what Friday the thirteenth meant or why white vans were terrifying I knew I was scared of all of them, with no little help from my older brother. For years I slept in the center of my bed, clutching a heavy flashlight (and in later years a police baton), my arms folded over my chest like some ancient honored pharos, just out of reach from any hands from any place under my bed. Before I knew what anxiety was I had seen hell’s fires, Bram’s asylum, crazed dogs and lost children, greater fear’s than fevered dreams, things far worse than Goosebumps, X-files, and Are you Afraid of the Dark?, horrors unheard of but ever imagined since the first sons of man were old enough to torment the second sons, because what else are older brothers good for. Shit! It’s a wonder any of us ever left our rooms on some of those darker nights. But through it all there has only ever been one fear that has always stayed with me, that one fear (besides seaweed) introduced to me by 1941’s The Wolf Man: Gypsies!

I’m not too worried about strangers or being alone any longer, but bogeymen and gypsies still scare the daylights out of me. I don’t know what did it, if it was the ragged clothes, the eeriness of the fortuneteller’s eyes, all black and white, a Dracula in different clothes Bela Lugosi nearly plays himself, a wild European madman staring out of cursed eyes. Or, maybe it was just the fact that they traveled in wagons, lived in them, from village to village, like some sort of communist trailer park carnival people, which is quite possibly the most evil amalgam of Euro/Anglo/Americana trash known to man. The Wolf Man’s story draws it’s plot and circumstance from folk lore, making use of myth and storytelling to build the Wolf Man as an ancient evil. And that’s what gypsies are- ancient evil folk people. So you know they’ve got nothing to lose, and that is scary.
Most fears are irrational, and the scariest stories, murders, monsters and ghouls are spun of spider webs already in our heads. But even so, this one fear of mine, this one real fear I have left over from childhood I think I’d rather like to hold on to for as long as I can, no matter how irrational it is. There are far worse things in life to be afraid of than gypsies, and once we get past all our irrational fears all that’s left are the rational ones, and all those are truly terrifying.

Oh, look out you rock 'n rollers
Ch-ch-ch-ch-Changes
Turn and face the strange
Ch-ch-Changes
Pretty soon now you're gonna get older
Time may change me
But I can't trace time
-Caleb, un-truly terrifying
Friday, July 27, 2007
Michigan and Trumbull
I have no idea when the first time I saw Tiger Stadium was, or what transpired at any games that I attended there, but what I do remember I feel is far more important. I’m not sure if I would have turned out any differently had I never visited the stadium, but I cannot imagine a childhood without lazy summer days spent in a ballpark. I remember those long low tunnels and the great expanses of green everywhere. I remember the sea gulls and the hot dog vendors and watching batting practice. I can still remember sitting in those plastic chairs eating peanuts with my dad and even if I wasn’t paying complete attention to the game, I was learning to love it, I was soaking in the atmosphere.
Somehow“Tiger Stadium has meant a lot to generations,” Harwell said. “If we can’t (save part of it), we’ll have to keep Tiger Stadium in our memory, our mind and our heart, and cherish it that way.”
Monday, July 9, 2007
And as I am Peering down Springs Blouse...
Sitting in the tub I am four and my mother’s blowing bubbles over my head and they stick to the white tile walls and the water is getting cold and the bath is full of mountains of white that keep popping and a hair floats by and I get scared. When the water is too chilly for me to take and the heater in the basement is already dead from exhaustion mother fills a pot on the stove. Pouring it over my toes I know she loves me.
But then it was summer again and for some odd reason music sounded better then it ever had before. Something in the air had changed and what more than that, Spring had crept out from 45 degrees of rain into a stuffy car and suddenly its 63˚ at the city airport. And that damn it all to hell April 6, 2006 or was it 2005 or 1994-0r-2 had pumped me full of thoughts of perfect folds of red summer blouses and divine bosoms with perfect playful cleavage as a girl asks me to turn in her paper for her because she can’t be bothered by the niceness of the day to leave her seat and I’m peering past her name in the upper corner and seeing her smile and the shrug of her shoulders on the same depth of field while her breasts pull daisy stalks into that V you see when two leaves or petals or legs or parts of summer met.
And then I am back at the park and that damn it all to hell April has set girls on every thought and emotion and sense I have. And there’s something in the air where I breath that causes something inside of me to feed and I can’t tear any bit of my over worked mind away from the breasts I see floating across the sky and over my bath and then I realize that they're bubbles I am remembering and I was four in that tub again.
And sometimes, we just have to be happy that summer and winter are so set in their ways. Spring and Fall, no matter what month, have a way of going either way, running a bit cold or feeling un-restfully warm as the wind blows. But, there is something about the middle of summer, something which is absolute, solidified by the heat of a July day which only summer has. Summer time is strong and sure, letting itself be known in every drop of sunlight into sweat, shouting out it’s presence like a boy with his ball in every long hour of the longest days. Summer burns a memory into your mind so surely that your brain peels. So definite that every blade of grass ever plucked up and rolled between your fingers, pulled at from the ground till it burst out singing dirt into the air as it gave to you is locked away in your mind. Summertime brings on emotions so dormant that even the bugs shoot off electric joy as they dance through the night, little thunderstorms so soft they could mock the lull a baby’s sleep. And, what’s more there is the memory of the first smear of that galvanizing green against the pavement where it is smeared into the heart and the soul of you the first time you see a fire fly die. Summer brings all the calmness of a nap, all the comfort of grass hugged feet, all the joy of nights so dark the sky is filled with lights that out shine cities and so warm that the day might not ever end and summer will just last forever.
And then I realize that it is April again and I’ve set out to get myself and there are a million pretty girls I’d love to kiss before I’ve lost my sense of Spring-supple breasts and supple heat that reaches inside of me and turns my chest up to the nth˚.
Monday, July 2, 2007
Starship Captain
And then I reached a point that made it all worthwhile, that made me realize just why I was still reading it and why I always listed it among my favorite books. As I was riding north along I-69 in
Sunday, June 3, 2007
Me, a Swimmer, and The Creature From the Black Lagoon: An Unnatural Love Affair

I can still remember when I first saw this movie. It was a long time ago. Throughout six and seventh grade I spent many Friday nights with my best friends Joshua and Nathaniel. We’d stay up “late” at Josh’s, sitting on his floor watching old movies his father had rented for us. We’d watch the classics: Abbott and Costello Meet Frankenstein, Abbott and Costello Meet the Invisible Man, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde, Abbott and Costello Meet the Mummy, Abbott and Costello Battle Racism and Oppression in White Hollywood. And we’d watch the creature features, like The Creature From the Black Lagoon.
Remember when you were little, and you were never sure whether something was going to be really scary, or just exciting and funny instead? Watching The Creature From the Black Lagoon is very much like that. When you’re young so many things that shouldn’t be scary are scary, like dead bodies, and missing links, and girls. But when we get older the really terrifying stuff in the night comes out, like loneliness, and lose, and woman. And if we’re lucky those things can still be funny too. But what was nice was that back then they always were funny and scary. Back when we were little everything scary had the possibility of being funny, and that’s the way it should be. We should be able to laugh at ourselves over the stupid stuff we get torn up and freaked out over. I remember hiding in Josh’s closet, wound up in a curtain, waiting for Nathaniel to come out of the bathroom so I could jump out at him. And remember that feeling you used to get, that feeling when you’re trying to scare someone, and you’re so tied into it, so excited and young and funny that you’re scared too? Scared of your own tricks, of your own jokes, of how young and stupid and sublime you are. I had that felling. And it was wonderful, wonderful to be scared.
That’s what The Creature From the Black Lagoon is like. You don’t know if you should be scared or laughing. And usually it changes every time you watch it. Just like when you’re trying to scare someone else, if you want it to be scary, if you’re willing to let yourself go, let yourself be a part of it, it can be as scary and exciting as anything in life can be.
The last time I watched The Creature From the Black Lagoon I decided to get a professional opinion on the movie. So I went to Wynston Rose McCreary- The Swimmer. And right away she hit it right on the head:
“I don’t get it…is it supposed to be funny?”
Wynston is completely right, sometimes you can’t tell! The Creature From the Black Lagoon doesn’t always make sense. The character himself…its self, really is a contradiction between science and religion. And no, not like the way Nightcrawler is a Catholic, or John McCain is a Republican, but the way Jesus is the son of God, or Orion is the son of Darksied, or Luke is the son of Vader.
You have to understand; the level of weirdness in this film is of that like you’ve never seen before. It isn’t a horror film, or a slasher, or a thriller; it’s a creature feature. The villain isn’t evil, or demented, or a Dracula, they’re just weird. They’re blobs and flies and gillmen. The Opening scene of Creature is the creation of the heavens and the earth…and then all of a sudden WHAM! they cut to the primordial sands of evolution and start talking about how all life evolved out of the sea, pulling itself up from the dregs and the muck and pretending to be man. They even say the world is over 15 million years old. See? They’re coming at us from all angles!
The Main character, The Creature, Gillman, is no less confusing when you think about him. He’s a sort of missing link, part man, part fish. Have you ever watched a fish in a tank? They’re fucking crazy! And so is Gillman. Fish are like retarded hairless dogs that can breath underwater. They go all over the place, eat all sorts of stuff, chase and roll and scrap with one another, and what do they do at the end of the day? Die on you. And Gillman is the same way.
In the film a group of scientist travel to the Amazon searching for The Creature. And, of course, they have to bring along a young, pretty, she-scientist. And of course, Gillman falls in love and tries to kidnap her. Which makes no sense! I’m not sure what he wants with her, he has no penis. So why is he kidnapping her if he can’t rape her? What, is he going to wait for her to drop her eggs and swim up stream so he can then fertilize them? Or, of course, maybe he’s just a little curious and wants to dry hump her a bit.

Honestly though, I find it pretty upsetting that the science crew and I totally expect Gillman to rape the girl. Why can’t he just kidnap her? Why can’t he just want someone to talk to, some company? Why is that so unbelievable? Oh yeah, because he’s a fish man. And that is exactly what makes Gillman so tragic: He’s a fish that is in love with a woman… not even Shakespeare could have written a story that compelling. Gillman, the eunuch child of creationism and evolution, is in love with a white woman in 1954. And, in the end it isn’t tragic, or cute, or anything lasting, it’s just unnatural, unreal, unbelievable. But, like any good love affair, totally frightening and worth dying for.
Sitting there in my room watching the movie for the first time in years with The Swimmer I had to consider our own unnatural love affair and how deep and weird and wet it was. I had to think about how long I’d known Wynston, how I’d met her, and how we’d gotten where we were, sitting there across my bed. When I first met Wynston I was all over her, just like Gillman. But unlike Gillman, her and I are really good friends now, and I didn’t get shot and lit on fire and drugged and killed for loving her.
I really do love her; she’s my best friend. And it really is weird and wet and deep, but it’s also real, and like any good friendship totally frightening sometimes and absolutly unnatural.
I think in the end what is most upsetting about The Creature’s story is that the very people that came looking for him kill him. They chased him down, they cornered him, they made him fall in love. And isn’t that the way it always is? We ask for it, we want it, we know the score and the price, but we still fall in love, we still go looking for it. That’s the point though. We fall in love and risk the weirdness of it all, the possible pains and growths and fears, but we still do it. And like we’re being transported through the Amazon or back to childhood we’re struck with the sudden fear and excitement and thrill of being scared. And it’s that thrill, that horror, that funny feeling that makes us laugh out loud when we know we love someone and are scared as hell that we do. And it’s that laugh that makes the search and the pain and the black waters all worth the while.

“Why is a movie about a black lagoon so reflective to me?”
“I wonder what color their clothes are.”
-Caleb, The Eunuch Child of Creationism and Evolution + Wynston Rose, The Swimmer

Thursday, May 24, 2007
Vader's Head

The archenemies of The Super Friends live in a giant Vader mask! I guess Black Manta must’ve been cruising around the swamps of Dagobah one day in that crazy ass submarine of his, found the Vader head that Luke cut off and decided it would make a good base. If it wasn’t all ridiculous enough, the show came out a year after the original Star Wars released, so they must’ve known what they were doing. But, why? So they decide to hide their base in a fucking swamp with alligators all around them, because I guess they thought the Super Friends wouldn’t want to get their capes dirty. I now know why we’re destroying the
I really don’t know how a group with two supposed geniuses and a robot could be so dumb, but they were beyond brainless. To make it worse, they didn’t even pretend to be smart. They were like a bunch of monkeys flinging feces at each other and destroying shit because it was fun. They creators expect me to believe that a group of super villains is just going to demolish their base because they feel like it? I guess it’s because half of the damn Legion consists of Superman’s retarded cousin, a giant cave woman, a Cajun zombie, an autistic guy in a wetsuit, and a fucking gorilla. A gorilla! Obviously hanging around these idiots has affected Lex and Brainiac’s intelligence something fierce.
I could go on and on about how the show doesn’t make any damn sense, but you can just watch it yourself. You won’t be disappointed, it’s hilarious.
Friday, May 18, 2007
Baseball
What is in baseball is what’s in all of use. Something that binds us, connects us, grounds us. Baseball is strong smells and textures and deep deep truths. The feel of the ball; the ridge of each stitch, the raw weave of the pants, and the childishness of the caps. Baseball isn’t a sport, it’s a game. Those aren’t athletes on the grass, they’re real people, the way it used to be. Baseball’s a game made to be played by drunks and overweight old men, and young kids. As easy as the dust gets caught in your nostrils, or the way the setting sun just stops when those painfully red rays hit the mound and you can see the smoky spirit of the game moving in the energy about everyone’s feet, baseball gets caught in your veins. It’s not sport, it’s a game, and it’s life.
What happened to the good old days, when porn was smut and liquor was good for you? Back when baseball was American pie and the mitts were big and bulky and always broken in? What happened to the afternoons of fathers and brothers? What happened to the days when kids looked up too drunks for all the right reasons? What happened to the days of Terrance Mann? You know? You know.
Baseball used to be played by gods, not titans. Real men, who were true Adonis’, with fat solid figures that’d dank deep of life. Today, you look across the polished diamonds, through jumbo eyes, and see Frankensteins. And, it’s not these monsters, these inhuman muscles and drug fueled creatures that are baseball. No, it’s the real guys, the guys like you and me. That’s what made baseball great, that’s what made it an American game, because those men that were out on the field weren’t much different from the two of us. So take back your Hercules’ and Goliaths, and give me those ghosts of Christmas present and young John the Baptists. Baseball was played by someone like your father, or your uncle, or your neighbor; someone who’d been in the same towns and parks and mini-marts and watched the same games as you. And, that’s what made them great; that’s what made them gods, and the game a game of legends. When those men stepped out onto the field, when they crossed the wild green grasses and kicked at the dry dirts there was an energy in the air like that from the dawn of time, and, pulled up from sleep baseball lived. Those men, those boys, those true articles would hit and run and throw and in there legs and arms and honest frames a game greater than good and evil was played by people more honest to life then any angel or demon. They played a real game: baseball.
I’m not a sports-man, but I am a man, and I can’t help but love baseball. Sometimes I’ll watch the games on tv, and if someone’s offering I’ll go to stadium with a fun group of people for a nice afternoon, but I can’t tear myself away from what used to be. Baseball is meant to be an honest game, that’s why we play it in summer, and why it has to be done outside, and even why the batting cages always hurt so damn much in the palm of my hands. I can’t honestly watch baseball without thinking about who should really be playing it; without thinking about all the old men who somebody should be looking up to, and about all the young guys who should be on the road, and all the dead guys that made so many opportunities possible for those creatures that get paid to play a sport and not a game.
Sometimes, in summer, when the sun is setting very late and night, and everyone winding down, I wish I could hear someone shouting in the orange light from the sun, and the kicked up dust. Before the streetlights turn on and everyone knows its night time and the fireflies come out, I like to listen for that honest sound of kids shouting and leather and wood and red string, because I swear to god I can hear everyone of those. And it makes me sad to think about it even now, because I know baseball is an honest game to be played at honest times by some honest people.
Like I said, I’m not a sports-man, and I’m not a Christian, but if you’ll look past both those you’ll see I can be honest too. And, if you remember, I mentioned young John the Baptist, which is another thing I can’t help but think about when I think of those kids playing baseball. I don’t know, something about a young kid, stuck in the wild, trying to prepare the word for what God’s told him will change everything, and being scared as hell of it just reminds me of childhood. And, I’ll tell you, though I’m not a sports-man, and I can’t see god, I’ll keep my eye on the ball, because I truly believe an honest game just might be able to save all of us.
-Caleb, right fielder. Deep, deep, right fielder.
Tuesday, May 8, 2007
Box Score
“I’m reading the box score, Scully. You’d like it; it’s like the Pythagorean Theorem for jocks. It distills all the chaos and action of any game in the history of all baseball games into one tiny, perfect rectangular sequence of numbers. I can look at this box, and I can recreate exactly what happened on some sunny, summer day back in 1947. It’s like the numbers talk to me, they comfort me, they tell me even though lots of things can change some things do remain the same.” –Fox Mulder
Thursday, May 3, 2007
Mr. Zamboni
Who doesn’t love the Zamboni? Foreigners? I don’t know. I don’t think so. Hating the Zamboni wouldn’t be un-American, and it wouldn’t be un-Canadian either, but it would be something damn close to it- It would be un-Human. And unheard of.
Even if you aren’t a hockey fan, or a winter sports fan, or a warm blooded human being, the Zamboni will make you a fan of something more important, a fan of the ice. Everyone can love the ice, the way skates feel, the tight strain around your feet and ankles, painful and protective, so much love that it hurts like a Christmas hug from a fat aunt, or a thanksgiving dinner that aches and fills more than it tastes, or a handshake from your father when you both know you’ve just done something utterly amazing. Ice is perfect- it’s cold, but it isn’t sterile, and the molecule aren’t bound tightly closed but are instead held together with open arms, embracing each other lovingly.
The Zamboni can make you a fan of ice, of the cold, of the winter and Canada. Zambonis are so damn gorgeous. They are everybody’s friends. They’re a source of comfort. People watch Zambonis go around and around ice rinks, mesmerized, enthralled, watching a childhood mobile that’s larger than life. In those large rinks time and space are transformed and people are lifted away from this world, and enter into someplace where the national anthem isn’t about a war but is still patriotic, where having an American flag and a Canadian flag hang side by side just seems right, where white scaffolding isn’t a sign of industry, and clean air isn’t just a Canadian selling point. Hockey rinks, excuse me, Ice rinks, aren’t magic, they’re just nice, and they make other things nice too. In an ice rink, the ice isn’t hard, but dependable, the air isn’t cold, but crisp and still, and the energy isn’t lost, it’s just stored away, like the sun is inside Superman, in people, waiting to be let out, to burst out, to shoot out blades and dance on the ice, gliding over everything, to sing out of mouths like god singing the universe into existence, hanging in the emptiness of space a beautiful cloud, fleeting and energetic, singing the body electric.
Raw ice is great-ice in the wild, untamed, the kind that’s always rough but has kind snow banks to catch you- but ice in a rink is a whole different world. The ice rink is its own nation, its diplomat the Zamboni, a king and a commoner with duel citizenship. And even in writing this I can’t tell if in my soul I’m a Canadian or an American. I guess I’m neither and I’m both. I’m a Michigander; and I’m a kid, and I like to skate, and I’ll always love to watch the Zamboni work its magic and do its thing.
Does every ice rink have two flags in it? Or is that a Michigan thing?
The Zamboni should be our state Mascot. Or at least Canada’s. They’re like Teddy bears or best friends, and they do what Roosevelt did for this country and what best friends do for us: They pick us up, brush us off, wiping away the tears and the blood, scaring over our cuts and softening our bruises, they set us back on your feet looking like we’re something new, something still amazing, even when we’ve been through hell, even when we aren’t much. The Zamboni comes in when everything is cut and torn and wrecked to hell and cleans it up, smoothes over all the bad parts and leaves the ice fresh again. The Zamboni gives everyone a little more faith. At a concert you cheer for an encore and hope to get one, at a hockey game you cheer for the Zamboni and know you’ll get it.
It’s always there, The Zamboni, that last glorious player, taking his victory lap for all of us, all of the skaters that have been there before, and all those skaters that’ll be there again.
What’s so great about the Zamboni? I consider myself a poet and a hockey fan and a Michigander, and I still can’t answer that question properly. It’s great because an Italian guy from Utah built it. It’s great because it has two seats for a one man job. It’s great because it’s one occupation everyone can respect, the way janitors and schoolteachers and prophets should be respected but aren’t. It’s great because it’s a part of hockey. It’s great because it’s as hard to understand and as easy to love as Curling. And it’s great because everyone always waits for it, and watches it out there all alone; doing a good clean well needed job for all of us.
Thank you Mr. Zamboni.
Long live Lord Stanley.
And go Wings.
-Caleb, Michigander.
Friday, April 27, 2007
Moriarty
When I was young, I had a Moriarty against whom my Holmes was pitted, as surely as I had found my Watson at that young age. I was matched against this fiend as early as I can remember. We were rivals of unimaginable import, no less so than Achilles and Hector or Batman and The Joker. Our battlefields were countless; the football field, the jungle gym, the backyard, the basement… We fought over the Super Nintendo controller, and we fought because we could. It was rivalry, it was sport, and it was a battle for the fate of everything that had ever mattered to me. And when one day he began to tear apart the snow fort that I poured my blood, sweat and tears into, it was a defense of honor and justice on a scale that would have made Superman proud. And we fought, beat and pummeled each other into the snow, fists flying, bodies tangled and snow rubbed into faces, a scene right out of Calvin and Hobbes, but what then felt more like The Battle of Hastings. I came out of it all victorious, and I stood there in my front yard, clad in all the regalia of winter, my cheeks flushed, my eyes bright and my heart thumping a triumphant opus. As the sun shone in that blue sky and the snow gleamed around me, I knew I had preserved my little kingdom in suburbia, I had held the city through the night.
It is important to have adversaries, to have someone to strive against, someone to push you and make you better. In conflict you strive to win, to fight your hardest against all odds because of that competitive fire burning inside of you. You do things that you never thought you could because of that need to be better, that need to win. In battle you become stronger, mind, body and spirit, even if it’s truly only mock combat. An enemy makes you learn and fight to succeed not with a helping hand, but with a kick in the teeth. Sometimes it’s the pain and hardships that turn you into a success, that make you strong. Sometimes it’s those bruises and black eyes that spur you on to be the best. Kennedy once said of the space program, “But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain? Why, 35 years ago, fly the
I realize the real world is filled with enough hardships, conflicts and roadblocks for me to struggle with, overcome and in doing so strengthen myself. But in the end, the problems of adulthood simply do not hold the same romance as those childish fights. So for now I’ll just look back at all those struggles of childhood, remember the glory and the happiness that they brought, and know that I will always have them. And in the end, isn’t that enough?